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Letterbox Resistance: A Campaign after my heart!

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True confession: Through the first three decades of my life, I was what one might call an inveterate, unstoppable letter-writer, where letter was a composition written by hand on paper. You might say, therefore, that the Letterbox Resistance activity was bound to be something I enjoyed.

First, the preparations! The design of the little cards with the campaign logo. The campaign logo stamp. The colour paper and envelopes. The bonafide 50 paise postcards. This may count as the most fun campaign prep ever!

This was the first activity of the 2016 Campaign. Ragamalika and I were the core group of letter-writers that went through all three sessions on the 25th.

We met the first group at Chamiers Cafe, where we ended up occupying two long tables. Enthusiastic and full of ideas, we churned out a variety of letters here--postcards addressed to specific offices, letters addressed very generally to categories of people, posters and flyers. Some of these needed to be sent to the addressee, but a few were tucked away here and there, to be found by other diners. One participant handed over a letter to another group explaining what we were doing. And we also shared cards and stamps with some of the staff. We hope everyone wrote the letters they were planning to write! Most of the group then disbanded.

Our second stop was Coffee Central, a cosy cafe in T.Nagar. A much smaller group met here, but the words continued to flow... mostly! We wrote reflective notes, we wrote apologies and we wrote to our kids. We also got others in the cafe to write a note, addressed to parents around the world!

The third stop was at the Food Court in Phoenix Mal and by now, there was just the core left. We were joined by Prajnya's Administrator, Santha. As we settled down with our papers spread out, a security attendant very politely requested us to please leave. People were not allowed linger in the Food Court doing anything other than eating and taking selfies. Out of consideration for her, we packed up sooner than scheduled, quietly placing some of our letters around the mall.

I cannot tell you how much I enjoyed this activity and on how many levels. First of all, picking out stationery is always delightful. Then, the physical pleasure of writing deliberately on a sheet of paper--taking trouble over both the words and their transcription-constitutes an almost-meditative experience. Third, the process of identifying what you want to say, who you need to say it to, how you want to phrase it and the tone you want to adopt, and finally putting it down on paper is an empowering one. It cuts to the heart of the helplessness we feel faced with something as huge as 'one in three women face abuse in their lifetime.' It gives each of us a sense of agency. Finally, it reminds us of the geneology of online petitions. They began with letters that were copied by hand laboriously and mailed to decision-makers and editors around the world. This power remains with us. We should exercise it more often!

To read all the letters we wrote, see our Facebook album.


Disability, sexuality, gender and violence: Chat with @saysnidhigoyal

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On December 3, World Disability Day, we spoke to disability and gender rights activist Nidhi Goyal (@saysnidhigoyal) about sexuality, disability and violence. Some snippets:




Read the full chat, storified here.



Be Smart. Be Safe. Self Defence on Day 10

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How important is self defence to women's safety? This is a contentious question - as it immediately brings up arguments of victim blaming in a case of assault. At Prajnya, we don't endorse the view that women are somehow responsible for the violence they face by not learning self defence. At the same time, we acknowledge that knowing a little bit about their own strength, women can feel more confident at home, at work, and while occupying public space.



For the third time during a Prajnya 16 Days Campaign, we tied up with KravMaga Tamil Nadu, and Mr S Sreeram, for free, 2 hour self defence sessions for women and girls. This year, around 15 women participated in the workshop, and learned how to get away from a violent situation quickly. Mr Sreeram have an overview of how everyday things can be used as projectile weapons and shields, giving women time to run and get help. He also taught the class how they can break some common hand holds, and what parts of the assaulter's body they should aim for to cause maximum pain, thereby giving them time to get away from the spot. 

Rewriting women into history

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Our favourite activities, in campaign and beyond, are those that plant or those that teach. 'Women on Wiki' was a bit of both. We partnered with The Red Elephant Foundation, which had organised a wiki editathon recently. The plan was to create or edit Wiki pages for women activists or women's rights organisations in Chennai who did not have a web presence (that wasn't entirely how it worked out!). Radhika Bhalerao helped us generate some basic research resources that met the Wikipedia criteria. Kirthi Jayakumar was our tutor.

Prajnya values favour process over outcome and a few serious participants over a crowd. But having said that, it is always disappointing when you put together a really fun activity, which also teaches valuable contemporary skills, and people appear too apathetic to show up. Did she fall or was she pushed--did we not publicise enough, did they not care enough--ultimately, does not matter.

Even the few who participated ended up putting together quite a few pages in just a couple of hours, as the list in our event report suggests.

I worked on Forum against Oppression of Women, the pioneering Mumbai/Bombay women's rights group where I first volunteered as a teenager. I never thought I would be able to learn the skills but the interface is actually quite intuitive if you have a patient teacher to show you, and I was happy I got involved with this activity because I was able to give something small back. The FAOW page could use fleshing out by those who have worked there for a long time, but I was happy to have started the process of documenting their work in the public domain.

Would I do this again? I think so! My technical learning curve might be slow but the research process is familiar and I realise that having a Wikipedia presence is going to be more and more important, especially to really small groups.



When generations share...

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Last Friday, we partnered with the Inner Wheel Club of Chennai Presidency to organise a conversation that engaged more than one generation. We had grandmothers, mothers and daughters--figuratively--in one conversation that flowed across several subjects.

At the heart of the conversation was an invitation to share. What was the first time you realised there was inequality in the world? When did you first encounter gender violence and how did you respond? What does it feel like to resist?

We had not posited a conflict between generations when we conceptualised this. Our premise simply was that we do not get to have conversations in our homes on this subject--because of shame, stigma and silence--and therefore, we lose opportunities to learn and share. This was vindicated by the easy sharing and understanding that flowed within the group. Moreover, there were some differences of opinion but no generational conflict.

Did we arrive at a consensus on anything? No, because that was not the point. What we did decide was that this was something we simply must repeat and regularly. And possibly with our wonderful partners at Inner Wheel Club!




Self Defence Training for Adolescent Girls

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Prajnya tied up with Centre for Women's Development and Research's Snehidhi group for a self defence workshop, conducted by KravMaga Tamil Nadu. Snehidhi is a group for promoting leadership among adolescent girls.

The session was originally supposed to be held on the 10th of December, but had to be rescheduled and was preponed to the 8th. Around 40 students participated in the programme, and learned how to kick, punch and escape from an assaulter.



For the girls, this was an opportunity to test their strength and learn a few tricks. Some of them have expressed interest in learning KravMaga, and CWDR and KravMaga Tamil Nadu have decided to explore this opportunity.

WCC Students Audit: How safe are our public spaces?

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How safe are the streets of Chennai? Are there streetlights, are there people around who can hear you call for help if you're in trouble. are the pavements usable, accessible? Students of the English Department at Women's Christian College set out to answer all these questions and more, by auditing areas around Nungambakkam and Egmore as part of the campaign.



WCC tied up with us for Daan Utsav this year, and their volunteers worked hard to raise funds and spread awareness about Prajnya's work. So when we went to them with the proposal for a safety audit, we had no doubts about the capability of the students to undertake the project. Prajnya volunteer Anupama Srinivasan conducted a training session for the students, where she explained the objectives of the audit, and took them through the process.

The students were then divided into 5 teams, each of them covering one of the areas marked on the map.



Following the training on November 19, the students were supposed to audit the areas until December 7, when they were supposed to present their results to the Prajnya team. Further, they were supposed to make one consolidated presentation on December 10 at the Public Forum we had planned as part of the campaign. But since we had to reschedule our programmes and cancel the public forum, the results workshop finally happened on December 21, and as expected, the students came up with astute observations from a thorough audit.



The final report will be published by mid-January - check this space for a link!

What's the story?

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That's what we wanted to know. All of us at Prajnya love to read and between us, there's probably no genre of fiction that remains explored although of course, each one has their favourites. None of us reads to make a point about ourselves, and we love talking about books.

When you think about it, it's quite surprising that we hadn't organised a discussion about gender violence in fiction all these years. We've done other literary things--creative writing and poetry readings galore--but nothing with fiction.

Once the idea occurred to us, the format and the structure were both no-brainers. We wanted discussion leaders to start off the conversation but in an almost-off-the-cuff way and briefly. We knew what we wanted them to ruminate over. What is it that is so seductive about patriarchy that we continue to read fiction that starts and ends with patriarchal assumptions--for instance, romance novels? What do we make of fiction where the 'hero' is a 'heroine'--or to put it in more inclusive terms, where the protagonist is not a man? If those books are to be classified as 'literature', do they have to have violence? Is violence the hallmark of realism and realism the prerequisite of something being called 'literature'? And what about consent? What is the place of consent in fiction?

Of course, the four avid readers we invited to lead the discussion used our questions as a point of departure for their own explorations, rather than exam question papers!


Lavanya Gopinath spoke about Regency Romances and raised questions about contemporary romantic fiction that she invited the audience to answer. Archanaa Seker systematically reviewed several kinds of popular fiction in search of the protagonist who is not a man. Samyuktha PC contempated the ubiquitous violence in young adult fiction, concluding provocatively that it was perhaps essential! Archana Venkatesh discussed consent in a few different books including Perumal Murugan's One Part Woman--incidentally this was perhaps the only South Asian work that was discussed that day!

The discussion that followed was spirited as people spoke in defence of literature they loved as well as with outrage about the things that infuriated them. Clearly there is a place in this town for regular book discussions and there is no shortage of passionate readers!

Crossword generously partnered with us to provide the venue for this event. We look forward to working with them in the future.

























Mining our lives, opening our hearts

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 When the mourning settled and the cyclone was spent, the campaign traveled to a small but charming library, The Storycorner at Bookmine, for a Community Cafe. Community Cafes are one of our favourite, and we reckon, most effective, formats for starting those all-important conversations about gender violence across society. We use words like 'society' and 'community' all the time but they are nothing more than just us--us, our groups of friends, our neighbours, our families, our extended clan, the people we work with. Just all of us.

This Community Cafe was hosted by Sudha Umashanker, who has been a true G.E.M. (Gender Equality Mobiliser). She is a story-teller who has recorded her narration of three gender violence stories for us, and this was yet another wonderful initiative on her part.

Sudha gathered women from her neighbourhood, and also invited the young woman who works in her home, for a multi-perspective, multi-generational conversation that covered a great deal of ground in an hour that flew. We talked about political violence, domestic violence, class-differentiated experiences of violence and post-violence, caste-based violence and most of all, about the role of counseling--by which it seemed the participants actually meant gender sensitization. It was agreed that parents and teachers, and really, everybody needed to be counseled and sensitized.

We always leave Community Cafes feeling like Prajnya has made new friends, and we would like to thank our old friend, Sudha for this one!



A Campaign Calendar in tatters

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Swept aside by grief.
Blown away by cyclonic winds.

That was the state of our 2016 Campaign Calendar. We always talk about how November-December are so the wrong time for the 16 Days of Activism from the Chennai perspective--students are just coming back, the weather is unpredictable and often bad, the music season is starting and that means we can't find venues or audiences... but still the energy one derives out of working in tandem with colleagues around the world is unbeatable.

This year, the death of Tamil Nadu Chief Minister simply made the second part of our campaign impossible. We had barely recovered when Cyclone Vardha hit Chennai. We began to reschedule rescheduled programmes.

The Calendar we began with and the Calendar we now document are a little different! But it does not matter to us.

In 2008, when that cyclone washed out Days 2 and 3 of the campaign, it was a big deal because it was our first (and maybe last) time. Now we know--it really is our intention and our effort that count. We will do the things we set out to--within or beyond this campaign season. 

Creation: A Poetic Companion to "The Dummies' Guide to Sexual Harassment"

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The original plan was to gather up all the mannequins, heavily laden with their hand-stickers, and bring them to the venue of the Public Forum on Street Sexual Harassment. It was to be a visually dramatic end to the 2016 Prajnya 16 Days Campaign against Gender Violence.

The plans had to change. Life's like that.

But to see off the mannequins which had spoken so eloquently to us and all who saw them about the everyday trauma of being touched, groped, pinched, stroked without one's consent, without some ritual to acknowledge their message, seemed wrong. We could not possibly just bundle, strip and return them to their generous owners.

So we returned to something we love at Prajnya--poetry. We invited four poets (Sharanya Manivannan, Alamu Rathinasabapathy, Michelle Ann James and N. Santha) who are a part of our community to contemplate the mannequins and tell us what they heard and felt.

We sent them these photos. They were to write a poem they could read/perform for us in the presence of the mannequins.










A Poetic Companion to the Dummies' Guide to Sexual Harassment

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On December 10th, we brought the four mannequins together. A small group of Prajnya volunteers listened to the four poets read their work, standing before the mannequins.

The mannequins standing together already made for a powerful image.


When the poets brought their words to this dramatic visual, it was a very moving experience. Each poem is posted separately, along with a photo of the poet reading. We are inexpressibly grateful to the poets for writing for us at such short notice. We know this is because of how passionately they feel about this subject.





The mandatory end-of-campaign group photo!


Poetic Companion to Dummies' Guide. Part 1: Alamu R

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Part 1: Alamu R




நான் மனிதப் பிறப்பு அன்றோ?
என் உடம்பு சதையும் ரத்தமும் சேர்ந்தது தானே?
அதில் விருப்பும் வெறுப்பும் ஊறுமன்றோ?

அப்படியென்றால்
என்னைக் காமப்பொருளாய் சித்தரித்து பார்ப்பது ஏனோ?
அதே காமக் கண்கள்
சீண்டத் துடிக்கும் கைகள்
சீண்டிய பின் வெற்றிக் கொண்ட துப்பு கெட்ட மனப்பான்மை

ஒரு தடவை கிடையாது
பல நூறு தடவை
பலப்பல வெளிப்பாடுகளில்
உருவங்கள் மட்டுமே வேறாயின

குழந்தைப பிராயத்தில் கண்டிப்பாய் சீண்டியவருண்டு
எனக்கு நினைவுதான்யில்லை
சின்னஞ்சிறு வயதில் விளையாடிக் கொண்டுயிருக்கும் போது
தோழன் எனக் கருதியவன் தோரணையாய் தொடையைச் கில்லினான்
பள்ளிப் பிராயத்தில் போதிக்கும் ஆசிரியரே
கண்ணத்தை சிண்டினார்
வீட்டில் யாருமில்லா சமயத்தில் மாமா மார்பகத்தை
இறுக்கி சில்மிஷம் செய்தார்
பேருந்தில் பயணித்த போது அப்பா பிராயமுடைய நடுவயதுக்காரர்
ஓரச்சிக் கொண்டே கையை பிசைந்து அற்ப சந்தோஷத்தை தேடினார்
காதல் எனக் கூறியவன் படத்திற்கு அழைத்துச் சென்றது
வலுக்கட்டாயமாக உதட்டோடு உதட்டை உரசிக் கொள்ளவே
மணமுடித்த கணவரோ ஒட்டுமொத்த கமப்பொருளாகவே
என்னைக் கருதி ஒவ்வொரு முறையும் அணுகினான்

அரிசி வாங்க கடைக்கு சென்றால் அங்கே
சில்லரை கொடுக்கும் சாக்கில் என் விரலை தொட்டு அணைக்கிறான் அவன்
அடே சண்டாளர்களா!

என் கண் இமைகளைக் கூட விட்டு வைக்கவில்லையே நீங்கள்!

ஒவ்வொரு முறை நடுநடுங்கி தைரியத்தோடு
வீட்டில் உள்ளவர்களிடம் சொன்னால்

அவர்களோ
'பெண் என்றால் இது எல்லாம் சகஜம்,
சகித்துக் கொள்ளக் கற்றுக்கொள்'என
என் தலையை வருடி கொடுக்கிறார்கள்.

என் கூச்சல் ஒலிக்கின்றதா?
யாராவது கேட்கின்றீர்களா?

நீ சீண்டி லயிக்கும் இடம் கிடையாதடா நான்
நீ மையலிட்டு விளையாடும் மைதானம் நான் கிடையாது

இது என் உடம்பு
என் உடம்பு என்றால் என்ன என்று புரிகிறதா?
உங்கள் மரைமண்டையில் உரைக்கின்றதா என்ன?

----------------
Read about the Poetic Companion to the Dummies' Guide.

Poetic Companion to Dummies' Guide. Part 2: Michelle Ann James

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In Memorium of a Photograph

by Michelle Ann James



A blinding flash of light,
Luminous, frightening.
You look away,
You have mastered the art of looking away.
It is only a second, few seconds.
Nothing to see there,
It was only a “flash”.
A flash that becomes a dream,
A dream that becomes a nightmare.
You learn to unlearn,
You try to un-see.
But it is an imprint on your retina,
A photograph frozen in time,
The one Ed Sheeran didn’t sing about.
This one’s a negative,
A bluish white glow.
You keep it in your shawl,
That you wear around your neck like a milestone,
An armour concealing your shame,
The shame your mother gave you.
You keep this for long,
A cherished memory with a stranger,
A faceless stranger with hands, only hands,
Hands out of his eyes, his legs, in between his legs,
Hands.
A memory that involuntarily creeps up in broad daylight,
A lightning on a hot summer day.
Lights. Camera. Action.
Lights Camera. Look away,
Lights. Camera. Look away.
Lights. Camera. Look away.
Learn this drill!
Drill it into your memory,
Remember that photograph.
Looking away is an act of protest.
Master the art of never meeting the eye,
The eye is the catch.
Learn to look away at inanimate objects,
Stones,
Or the ground.
The ground is the safest place.
Teach yourself to look down, head bowed,
Eyes lowered – the spit, the grime, the shards of glass,
Your feet.
The counting of steps… 101…102...103.
212 steps to reach home, to reach office,
To find a seat next to a woman.
Road sign flashes in huge block letters, in red.
Better safe than sorry,
Never ignore warnings, you teach yourself, you teach your daughter.
And yet, the photograph comes alive at times,
Like the summoning of a spirit
With eyes more real than a touch,
Touch more real than a strike,
A bona fide touch.
The power play of the fingers,
Skin to skin, only for a moment.
But the moment is for ever,
A place in time without tenses,
Three divorces and yet,
this moment stays new.
There,
You die a little.
Breath hanging on a cloth line, washed out.
A scream caught on a fish hook,
You stand,
Like a shadow,
With your throat swelling up like a river in rain.
But all your body is ready for war,
You hair in attention,
Ready to take flight, run, wreak havoc.
You struggle to break free,
But there is nothing holding you back,
Just crippling, horrifying fear.
A diabolic force that needs some sort of exorcism.
The touch, the touch, the touch,
Latching on at the pit of your belly,
Ice sprouting from your bones,
Spreading in defying gravity,
Paralysing.
Now you are posing for a ‘mannequin challenge’,
A camera coming your way,
Click.
A photograph from memory.
Unshakeable. Stationary. Dead.
A ghost.
A ghost that can see and touch and feel,
A ghost that can be seen and touched and felt,
Praying in silence for redemption,
Skin stretching to heal an open wound.
Now you walk,
Cold sweat dripping between your thighs,
Your ears melting in sulphur,
The death-like acidic trickle in your mouth.
The earth is shaking with fever,
And
You prepare yourself for the comeback,
The posing, dramatic, dreadful normalcy
Of a photograph.
A walk down memory lane,
To that hot day in the cruelest month,
You- mischievous, innocent –
playing with your Raggedy Ann doll,
your uncle, his lap, his hands, your terror –
you know the story.
The first time you learn to keep a secret,
The first time you internalise fear,
The first time you cry without a tear,
The first time you take a picture in monochrome,
The first time of you try to forget,
That picture of the
Raggedy Ann doll on your rocking pony chair,
The first time you set something on fire,
Waiting for it to annihilate you.
You recall all those school lessons,
Right touch, wrong touch – girls exclusive.
You sit there wondering why you failed in class,
Shame engulfing you like your first fire.
Fast forward.
After 44 years of the cold war,
You are in front of a jury,
Narrating your story
That they already know –
The protagonist of someone’s erotic adventures,
The “same, identical woman”,
The same tedious story.
All the cupping and the grabbing and the pushing and the squeezing –
Very graphic words,​
Very uncomfortable verbs ending in ‘ING’.
The jury cringes.
Words that you have perfected with practise and an unknown rage,
Words that took years of acknowledging,
Words that you have written over and over again,
On the foreskin of your heart.
Now, you cry, with tears,
You have reached catharsis,
And somehow,
Your mouth pleads guilty,
“Mea culpa”, you shout.
The jury charges you – guilty,
For the low-cut, skin tight provocation,
Your God-given endowment.
Your volition to say no,
Your Consent,
Guilty of all that is you.
The price one pays to be in view,
Alive, crying, skin tags and all
with a milestone around your neck,
Is a photograph with a blurred face and
A fake two-syllable name.


You convince yourself –
There is justice in a name,
At least you weren’t anonymous.
You convince yourself –
There is justice in a photograph,
At least, it was in colour.

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Part 1: Alamu R
Part 3: Santha N

Poetic Companion to Dummies' Guide. Part 3: Santha N.

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பெண்களின் முன்னேற்றம்

by Santha N.


பெண்கள்நம்நாட்டின்கண்கள்.ஏன் இவ்உலகின்கண்கள்.
பெண்களைமதித்துமனப்புண்களைஅழிப்போம்..

 உலகைஆளப்பிறந்தவர்கள்
பெண்கள்எனஅவையம்அனைத்தும்
அறியச்செய்தவர்கள்..

இப்பூமியில்பிறக்கும்போதே
பெண்கள்புரட்சியாளராகவேபிறக்கிறார்கள்..
சாதனை, சரித்திரம்படைக்கவும்,
பூவும்புயல்வீசும்எனக்காட்டவும்,
விதையிட்டஇடத்திலேவிருட்சமாகவும்,
விளக்கொளியில்மடியும்,
விட்டில்பூச்சிகளாகஇல்லாமல்,
விடியலைத்தேடும், 
வின்மீன்களாகவுமேபிறக்கிறார்கள்..

பெண்ணடிமைபேணியவிஷவித்தகர்கள்
வீழ்ந்தொழிந்தனர்என, 
பார் உலகைஆளவந்தபெண்களுக்கு,
புத்துணர்ச்சிதருவோம்..

 ஆடவரின்ஊனக்கண்களில்உள்ள,
துரும்பைஅகற்றி,
ஆணுக்குநிகர்பெண்களேஎன்ற,
மந்திரச்சொல்அறிவோம்..
ஆண்ஆதிக்கத்தைஅகற்றிடுவோம்

ஏழுபருவமங்கையரான பேதை, பெதும்பை, மங்கை,
மடந்தை, அரிவை, தெரிவை,பேரிளம்பெண்எனஅனைவரையும்
ஏற்றம்பெறச்செய்வோம்..

பெண்களுக்குஎதிரானவன்முறையேஇனிஇல்லை. பாதுகாப்பாகதான்இருக்கிறாள்எனகூறுவதுகூடஆண்ஆதிக்கம்தான்

உலகில்உள்ளபெண்கள்அணைவரும்வன்முறைஇல்லாமல்வாழவழிவகுப்போம்.

----------

Part 1: Alamu R
Part 2: Michelle Ann James


Poetic Companion to Dummies' Guide. Part 4: Sharanya Manivannan

SPIrit of Equality: Training at SPI Cinemas

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It's very exciting for us when old partners continue to be associated with us for new programmes. SPI Cinemas, who worked with us on Safer Spaces in 2013, worked with us during Daan Utsav this year in October. During the campaign, we decided to deepen our engagement, and proposed a training session for their staff on gender and gender based violence. They readily agreed, and we were supposed to go over to their premises on the 5th of December - but the programme had to be rescheduled, and was finally conducted on the 29th of December. 



From exploring the difference between gender and sex, and busting some myths about gender based violence, the training tried to familiarise the participants with some important issues and get them to introspect on their personal stands.

The participants were mainly women this time around, but we do hope to reach out to all their staff over a period of time.

2016 Seasons ends, 2017 planning begins!

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At the beginning of the campaign season, when we hadn't managed to find a Campaign Assistant, Dr Swarna Rajagopalan joked that I got my wish, just 3 years late. But better late than never! The 2016 campaign has been exciting, educative and full of surprises. We were worried about rains and floods before we started, and by the time the official campaign season came to a close, we had to contend with a cyclone, the death of a sitting Chief Minister, and a whole lot of rescheduling. But despite all of that, this campaign, in my opinion, was amazingly successful.

Thank you's have to go out to a whole bunch of people for making this possible - partners, volunteers, participants, friends... But there are a few I would like to send out special thanks to.

First, to the people who partnered with us to provide us with mannequins for the Dummies' Guide to Sexual Harassment. The idea was attractive to a whole lot of people, and got many people talking about the campaign and about Prajnya - and it wouldn't have been possible without Sundari Silks and Tranz Mannequins.

Then, to the poets who brought us their words and their energy at short notice for the Poetic Companion to Dummies' Guide - it was a fitting end to the campaign, and you were the only ones who could have done it.

Thirdly, to the volunteers who helped with the planning and the programmes - thank you for being there year after year, and for cheering the core team on in many ways.

I had two partners in crime for this campaign - Dr Swarna Rajagopalan, who spent countless hours planning and guiding us through the many events this campaign, and Santha N, our administrator, who tirelessly ensured that the campaign ran smoothly and all the logistics were in place.

The day before the campaign started, Santha and I were at Sundari silks, trying to wrap our mannequins in gauze bandage and ensure that their saris were tied properly enough - something we estimated would take a maximum of 45 minutes. Well, we were very wrong, and by the time the wrapping, tucking and pinning was done, Santha was calmly fielding a hundred calls from people who were waiting to settle the mannequins in at their temporary homes. Through the campaign, she's helped me stay calm and ensured that all last minute panic situations are smoothed over. Thank you, Santha!

Dr Swarna and I have a history of giggling our way through tricky programming and scheduling and (sometimes) difficult people - and planning this campaign was no different. Our calendar changed not just 2 days before the start of the campaign, it had to be modified and adapted halfway through as well. But through the ups and downs, she helped us all stay calm with our eyes on the prize - Thank you, mam, for never letting anything feel like a catastrophe, and pulling us through aaram se!

Considering this was my first and last campaign as Programme Officer for Prajnya, the 2016 campaign will always remain very special to me.

The campaign season has officially closed - but as I've learnt in my years of volunteering and working with Prajnya - we're always, in our heads, planning for the next campaign!

---
Raga

Curtains! (But we'll be back!)

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The first campaign of the third cycle was in many ways exactly like the very first campaign we did in 2008. We were resource-strapped at the outset. We had a core team of two-plus-administrator, but hardly any volunteers from our own community and of course, the campaign was cyclone-hit! But the memory of having pulled off the 2008 campaign against the odds and the ability to compare our situation now with our point of departure, encouraged us to stay the course confidently.

We first met Raga when she applied to be Campaign Coordinator in 2013 and we hired her instead to manage our media work that year. She stayed on to volunteer and then to join Prajnya officially as our first Programme Officer for the Gender Violence Research and Information Taskforce. This year, because we were unable to hire a Campaign Assistant, she ended up having to be Campaign Coordinator--full circle, there too, in a way.

Many delays, cancellations, planning and re-drawing sessions later, we are actually about to declare the 2016 Campaign Season closed.

This year, we did some very innovative things--the Mannequins were our greatest hit, of course, but to my mind, Letterbox Resistance will also be something to remember. We came up with that after our original plans for Day 1 changed but it was such a wonderful process that I am sure we will repeat it. The multi-generational conversation was something we'd wanted to do for a very long time and we hope we've set a process in motion with this one. The experience of working with Women's Christian College students was an excellent one. The fiction discussion was great fun!

Thanks to the Chief Minister's death and the cyclone, we still have programme commitments to fulfil. In January, we will hold a half-day training on gender and militarisation at the University of Madras, and we will meet with the Soroptimist Club members in Chennai for a talk on ending gender violence.

As we close the Season, I will repeat Raga's thanks to everyone who supported, partnered and was a resource person for this Campaign. My great thanks for Santha's logistical support and to Raga's calm shouldering of great responsibility--this could have been an impossible campaign to pull off.

We will see you next October, when the 2017 Campaign Season opens. Until then, stay safe, stay vigilant and stay political! 

Welcome to the 2017 Campaign!

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It feels like one of those winter mornings, when you know it's day but the sky is so heavy with clouds and snow that it feels like night, and you end up staying in bed longer than you intended, longer than you ought.

And so it is that we are opening the Campaign Chronicle only on the 20th of October this year. Much later than usual, but amid the same old, same old combination of excitement and anxiety that we always feel as the Campaign Calendar bubbles and boils its way to something like 'done.'

This year's Campaign Associate is Malavika Ravi. She is putting together a calendar that looks a little bit like the campaigns of the first and second cycle, re-cast with the confidence of the third.

Prajnya has also celebrated our tenth birthday in September (that is why the late start on the campaign) and we bring into the 2017 campaign, the celebratory mood, the renewed connections and a new energy.

I hope you are following us on Facebook: https://www.facebook.com/prajnya16dayscampaign/
That is where we now post news, research and commentary. This is where we document our work and post content that complements or belongs to the Campaign Calendar.

Do stay in touch and join us wherever you can! 
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